endthymes:

“does anyone else-” yes

“am i the only one who-” no

“is it weird that i-” probably not

thebatglare:

shit they’re finding our weak spots

thebatglare:

shit they’re finding our weak spots

(Source: mileyyyyyy)

cnndrm:

best scene ever

cnndrm:

best scene ever

(Source: stonerthings)

gazzymouse:

It happened. It finally happened. I was at a very crowded Broadway lottery today wearing a small SHIELD button and when the people started to disperse the most innocent, average looking middle aged man holding hands with his wife walked past me, leaned in, and he whispered “hail hydra.”

bywhomwearelost:

favlted:

ugh

those scratches and hand marks OH MY GOD

(Source: badbitchwow)

  1. Camera: iPhone 5
  2. Aperture: f/2.4
  3. Exposure: 1/15th
  4. Focal Length: 4mm
karadin:

Marvel Heroes with Fans (add more if you find em) karadin:

Marvel Heroes with Fans (add more if you find em)

karadin:

Marvel Heroes with Fans (add more if you find em)

"Your words carved
bullet wounds into my chest
and the wolves that sleep
in the forest of my heart
howled as they bled
the colour of
nothing.
You once asked me
if I had a name for the
monster that lives in
my head.
I do, I said.
I named it after
you.
"
— A.Y // a three letter word for the voice that haunts
(via 2wentysixletters)

sachimo:

high school more like sigh school

(Source: bircls)

groudonconfirmed:

"if you’re not a boy or a girl what are you"

image

thehotgirlproject:

the-gingerdancer:

papayadog:

scandalous

 i will reblog this as many times as it takes me to stop finding this funny

SCANDALOUS!
thehotgirlproject:

the-gingerdancer:

papayadog:

scandalous

 i will reblog this as many times as it takes me to stop finding this funny

SCANDALOUS!
thehotgirlproject:

the-gingerdancer:

papayadog:

scandalous

 i will reblog this as many times as it takes me to stop finding this funny

SCANDALOUS!
thehotgirlproject:

the-gingerdancer:

papayadog:

scandalous

 i will reblog this as many times as it takes me to stop finding this funny

SCANDALOUS!
thehotgirlproject:

the-gingerdancer:

papayadog:

scandalous

 i will reblog this as many times as it takes me to stop finding this funny

SCANDALOUS!
thehotgirlproject:

the-gingerdancer:

papayadog:

scandalous

 i will reblog this as many times as it takes me to stop finding this funny

SCANDALOUS!
thehotgirlproject:

the-gingerdancer:

papayadog:

scandalous

 i will reblog this as many times as it takes me to stop finding this funny

SCANDALOUS!
thehotgirlproject:

the-gingerdancer:

papayadog:

scandalous

 i will reblog this as many times as it takes me to stop finding this funny

SCANDALOUS!
thehotgirlproject:

the-gingerdancer:

papayadog:

scandalous

 i will reblog this as many times as it takes me to stop finding this funny

SCANDALOUS!
thehotgirlproject:

the-gingerdancer:

papayadog:

scandalous

 i will reblog this as many times as it takes me to stop finding this funny

SCANDALOUS!

thehotgirlproject:

the-gingerdancer:

papayadog:

scandalous

 i will reblog this as many times as it takes me to stop finding this funny

SCANDALOUS!

(Source: yousaytheydontcare)

rubee:

ilovemaydayparade69:

rubee:

"why dont you just give him a chance"

idk because im not physically or mentally attracted to him and ‘but he likes you’ or ‘but hes really nice’ isnt going to change the fact that im not interested

Damn, I don’t think women know how much that really hurts

you know what else hurts?????????? getting abused for being a ‘bad person’ because you didnt want to date somebody that you werent interested in

Great comeback.

(Source: callioperobbins)

asylum-art:

 Alain Bellino Art
Alain Bellino was born in Nice in 1955. In the 80′s, he discovered the world of metal and ornamentation. The ornament that is torn from its original support then becomes the very structure of his sculptures. Bronze ornamentations assembled by extremely precise welding are the base material. Weighted with the nobility of the material joined to their own history, they support a fragmented memory and they bring to the sculptor a precious help as well as a constraint. Alain Bellino gets special inspiration from the Renaissance period. Vanitas are one of his favorite themes, typical of classical sceneries. In his work of re-directing and re-assembling, which is both iconoclast and highly rigorous from a formal point of view, at the crossroads between past and future, Alain Bellino sublimates and rehabilitates the ornamentation.
asylum-art:

 Alain Bellino Art
Alain Bellino was born in Nice in 1955. In the 80′s, he discovered the world of metal and ornamentation. The ornament that is torn from its original support then becomes the very structure of his sculptures. Bronze ornamentations assembled by extremely precise welding are the base material. Weighted with the nobility of the material joined to their own history, they support a fragmented memory and they bring to the sculptor a precious help as well as a constraint. Alain Bellino gets special inspiration from the Renaissance period. Vanitas are one of his favorite themes, typical of classical sceneries. In his work of re-directing and re-assembling, which is both iconoclast and highly rigorous from a formal point of view, at the crossroads between past and future, Alain Bellino sublimates and rehabilitates the ornamentation.
asylum-art:

 Alain Bellino Art
Alain Bellino was born in Nice in 1955. In the 80′s, he discovered the world of metal and ornamentation. The ornament that is torn from its original support then becomes the very structure of his sculptures. Bronze ornamentations assembled by extremely precise welding are the base material. Weighted with the nobility of the material joined to their own history, they support a fragmented memory and they bring to the sculptor a precious help as well as a constraint. Alain Bellino gets special inspiration from the Renaissance period. Vanitas are one of his favorite themes, typical of classical sceneries. In his work of re-directing and re-assembling, which is both iconoclast and highly rigorous from a formal point of view, at the crossroads between past and future, Alain Bellino sublimates and rehabilitates the ornamentation.
asylum-art:

 Alain Bellino Art
Alain Bellino was born in Nice in 1955. In the 80′s, he discovered the world of metal and ornamentation. The ornament that is torn from its original support then becomes the very structure of his sculptures. Bronze ornamentations assembled by extremely precise welding are the base material. Weighted with the nobility of the material joined to their own history, they support a fragmented memory and they bring to the sculptor a precious help as well as a constraint. Alain Bellino gets special inspiration from the Renaissance period. Vanitas are one of his favorite themes, typical of classical sceneries. In his work of re-directing and re-assembling, which is both iconoclast and highly rigorous from a formal point of view, at the crossroads between past and future, Alain Bellino sublimates and rehabilitates the ornamentation.
asylum-art:

 Alain Bellino Art
Alain Bellino was born in Nice in 1955. In the 80′s, he discovered the world of metal and ornamentation. The ornament that is torn from its original support then becomes the very structure of his sculptures. Bronze ornamentations assembled by extremely precise welding are the base material. Weighted with the nobility of the material joined to their own history, they support a fragmented memory and they bring to the sculptor a precious help as well as a constraint. Alain Bellino gets special inspiration from the Renaissance period. Vanitas are one of his favorite themes, typical of classical sceneries. In his work of re-directing and re-assembling, which is both iconoclast and highly rigorous from a formal point of view, at the crossroads between past and future, Alain Bellino sublimates and rehabilitates the ornamentation.
asylum-art:

 Alain Bellino Art
Alain Bellino was born in Nice in 1955. In the 80′s, he discovered the world of metal and ornamentation. The ornament that is torn from its original support then becomes the very structure of his sculptures. Bronze ornamentations assembled by extremely precise welding are the base material. Weighted with the nobility of the material joined to their own history, they support a fragmented memory and they bring to the sculptor a precious help as well as a constraint. Alain Bellino gets special inspiration from the Renaissance period. Vanitas are one of his favorite themes, typical of classical sceneries. In his work of re-directing and re-assembling, which is both iconoclast and highly rigorous from a formal point of view, at the crossroads between past and future, Alain Bellino sublimates and rehabilitates the ornamentation.
asylum-art:

 Alain Bellino Art
Alain Bellino was born in Nice in 1955. In the 80′s, he discovered the world of metal and ornamentation. The ornament that is torn from its original support then becomes the very structure of his sculptures. Bronze ornamentations assembled by extremely precise welding are the base material. Weighted with the nobility of the material joined to their own history, they support a fragmented memory and they bring to the sculptor a precious help as well as a constraint. Alain Bellino gets special inspiration from the Renaissance period. Vanitas are one of his favorite themes, typical of classical sceneries. In his work of re-directing and re-assembling, which is both iconoclast and highly rigorous from a formal point of view, at the crossroads between past and future, Alain Bellino sublimates and rehabilitates the ornamentation.

asylum-art:

 Alain Bellino Art

Alain Bellino was born in Nice in 1955. In the 80′s, he discovered the world of metal and ornamentation. The ornament that is torn from its original support then becomes the very structure of his sculptures. Bronze ornamentations assembled by extremely precise welding are the base material. Weighted with the nobility of the material joined to their own history, they support a fragmented memory and they bring to the sculptor a precious help as well as a constraint. Alain Bellino gets special inspiration from the Renaissance period. Vanitas are one of his favorite themes, typical of classical sceneries. In his work of re-directing and re-assembling, which is both iconoclast and highly rigorous from a formal point of view, at the crossroads between past and future, Alain Bellino sublimates and rehabilitates the ornamentation.